It’s almost October! So much going on!

We are just under a month away from rehearsals starting for our first production in 18 months. I can’t wait!

We started production meetings a couple of weeks ago, and seeing all those faces on the Zoom call, excited and ready to work, was damned exciting. As usual I’m lucky enough to work with a wonderful team of artists, and this time we’re doing a revival of a production we last did 10 years ago, as a celebration of our 15th Season.

On top of that, there is so much going on in the building the last couple of weeks, it’s amazing. Contractors are everywhere: Our renovations are nearing the completion of this phase of work in the theatre space itself (and with the giant metal beams that go up through the second floor of the building and out the roof!) Plus there are HVAC people doing heating and cooling things in the lobby, there are duct-work people doing things in the basement, the IT firm we hired is building us a new website from scratch, our box office, management and development teams are working on our new ticketing and patron management system, I’m reviewing the many many audition videos we got sent over the last couple months, and we are about to start interviews with our top apprentice applicants. Plus we’re accepting applications for our newly created Office Manager position.

Our hope, of course, is that Covid doesn’t raise up and slap down our reopening attempts. We’ve got strict protocols in place: Vaccination requirements for all employees and patrons, masks in the building at all times – and we’ve seen those work for some theatres, and we’ve also seen it not. Broadway’s Aladdin reopened on Tuesday… and closed on Wednesday because of Covid cases in the company. So, as we join the world and try to move forward, all we can do is do our best and take every precaution, and then respond to each moment as it happens. We’re working with the unions and staying in touch with theatres across the state and country as everyone shares best practices. Hope for the best, plan for the worst, as the saying goes.

SO – keep an eye out for the announcement about our new website, and for tickets going on sale for This Wonderful Life, our first show back. And wear your masks. 🙂

And, if you’d like to see it, here’s a little news article featuring Williamston Theatre, John Lepard and me!

Williamston Theatre Season 15!

We’re so excited to finally be able to announce the 2021/2022 Season, our 15th!

After a year and a half we’re so glad to be back in the building with the staff, prepping everything and getting out from under the dust of our long intermission.

Over the next couple months we’ll be finishing up some renovations and getting ready for first rehearsal of our first show back. As a celebration of reaching 15 years, we’ll be starting the season by bringing back a classic production that’s often asked about by our patrons, This Wonderful Life starring John Lepard. It’s a perfect holiday show to bring family, friends and colleagues to. And of course we’ve implemented lots of Covid protocols, including extra deep cleaning with all new equipment, wall mounted hand sanitizers, high efficiency air purifiers around the building, and new Ion Wave filtering technology on all of our HVAC systems, and more!

I’m also very excited to say that we have announced our Auditions for the season, AND we are accepting applications for our Apprentice Program. INFORMATION ON BOTH OF THESE CAN BE FOUND RIGHT HERE AT THIS LINK!

Can’t wait to see everyone at the theatre. Here’s the lineup for our 15th season:


Williamston Theatre 2021-2022 Season

This Wonderful Life

By Steve Murray
Directed by Tony Caselli
November 18 – December 19, 2021

To celebrate our milestone 15th Season, we’re bringing back a fan favorite from our early days!  John Lepard reopens the Williamston Theatre stage by reprising his award-winning role as George Bailey, Mr. Potter, and the entire population of Bedford Falls in this theatrical re-telling of the classic holiday film It’s A Wonderful Life. Superbly adapted from the most irresistible and entertaining “what if” story of all time, this beautiful, heartwarming tale reminds us of the power of perspective, friendship and faith. A holiday experience for the whole family.

9 Parts of Desire

By Heather Raffo
Co-Directed by Ed Nahhat & Sarab Kamoo
January 27 – February 27, 2022

Featuring Sarab Kamoo in a one-woman, tour-de-force performance, this play details the lives of nine Iraqi women that span the decades between the first and second Gulf Wars and occupation. It is a stunning portrait of the extraordinary (and ordinary) lives of a whole cross-section of Iraqi women: a sexy painter, a radical Communist, doctors, exiles, wives and lovers. This riveting work delves into the many conflicting aspects of what it means to be a woman in a country overshadowed by war. 

The Cake

By Bekka Brunstetter
Directed by Jasmine Rivera
March 24 through April 24, 2022

All is going well for Della. Her North Carolina bakery is legendary and she’s just been cast on her favorite television baking competition. But then, her late-best-friend’s daughter comes home from New York City to ask her to make a cake for her upcoming wedding. When Della learns that Jen’s about to marry a woman, she is forced to re-examine her deeply held beliefs, as questions of morals, judgment and family swirl around them all. An emotional and deliciously funny play.

Tracy Jones

By Stephen Kaplan
Directed by Tony Caselli
May 19 – June 19, 2022

Tracy Jones finds herself alone, and lonely, in life. In a last-ditch effort to find any kind of connection, even a forced one, she throws a desperate party to which she’s invited every woman in the world who is also named Tracy Jones. Her uproariously disastrous encounters with the few guests that attend expose a vision of the isolation we experience in our increasingly busy world.  Tracy Jones is a funny, touching story that explores the power of human connection. World Premiere. 

The Hat Box

By Eric Coble
Directed by John Lepard
July 14 – August 14, 2022

Two sisters discover a hat box hidden in the back of their recently deceased father’s closet. What sits inside sends them off to visit eccentric Aunt Esther and on an increasingly wild ride down memory lane. With surprising twists and hilarious turns, Cleveland playwright Eric Coble’s brand new comedy of family lore revels in the bizarre and beautiful mysteries that make up a life. World Premiere.


Updates on a Tuesday

Lots of things happening around here at Casa Caselli.

Jeanne and I are healing up nicely from our kidney transplant. It’s officially been a month, and everything seems to be going in the right directions so far. We’re both moving around pretty well again, with just minor soreness. We can both drive again, although it’ll be another few weeks before we’re allowed to lift anything heavier than 8 lbs. I’m adjusting to the new regimen of anti-rejection meds, and glad that they let me wear this shirt:

(I may have bought several fun “kidney transplant” t-shirts this month!)

The whole family is really grateful for all the support we got during this whole event: a HUGE Thank You to everyone who reached out and sent support in any way – texts, cards, food, visits, it was all SO helpful.

Meanwhile, lots of other things are happening too – at Williamston Theatre we are FINALLY looking at a schedule that would reopen our building in 2021, and working on all of the 7,942,233,007 things that that involves. We’ve been doing some staff DEI training, which has been eye opening, educational, tough and really useful, resulting in lots of reworking of internal policies. We’re working on nailing down the reopening season (AND the next one, actually), and will be making some announcements over the upcoming months, and there are some really exciting projects and collaborations coming up that I’m excited to share with everyone. Plus we’ve got renovations happening at the theatre and new seats ready to install for our patrons to enjoy. The Covid Shutdown has been a nightmare of an intermission, but we’ve tried to combine “use the time wisely” with “spend this uncertain time with family and stay physically and mentally healthy”.

So, now we slowly start coming out of the bubble we’ve been in. Because of my anti-rejection meds making me extra susceptible to infection, I still will be wearing a mask often, but I’m still feeling better about being out among people again. I may have to see about getting to a Lansing Lugnuts game sometime next month, I’ve been looking forward to some live baseball!

One nice side effect of the surgery is that since coming out of it, because of the new dietary and medical stuff, I’ve been eating less junk and am down about 20 lbs. Feeling more fit than I have in a while, hoping to keep that trend up and stay healthier – I’m not quite back to my “pre-surgery” routine of walking 3-5 miles a day, but I’ve been able to do about 2.5 every couple of days the last week or so, and I’ll be trying to improve on that over the next couple of weeks. (I’m inspired by my amazing wife, who walked 2 miles AND ran 2 miles today!!)

So, I think that’s it from here for now. Trying to heal, rest, prep for reopening, and enjoy being with my family. Doing a lot of reading (plays, novels, anti-racism education, an N.K. Jemisin trilogy) and watching TV. And, honestly, lots of self-reflection about what “Post Covid” and “Post Transplant” life should be, and could be. We’ll see what that leads to!

I hope everyone is doing well, staying healthy (physically AND mentally) and enjoying their summer. Take care of yourselves!

The One Year Mark

One year. The Big Pause.

It was one year ago today, March 21st, that we finished our quick week of pivoting from “rehearsing a play” to “filming a play”, and we turned Tech Day into a long day of filming the show we’d been preparing for live audiences. These Mortal Hosts became a hybrid – a piece of theatre, performed in a theatre with no audience, and filmed for online release. At the end of the long day of careful filming, filled with lots of hand sanitizer and as much social distancing as we could, we sent the skeleton crew of people we had left in the building home and said “Hopefully we’ll see you in a couple weeks. Be safe.” Little did we know. A couple days later the state went into lockdown.

And here we are, a year later. We’re all hoping that we can reopen before the calendar turns to 2022.

This last week, though, has been fun – we’re working on a new audio project for Williamston Theatre, and it’s been nice to get to work on something creative with folks. I’ll be honest, the last few months have been tough. I’ve struggled personally with motivation, energy, and purpose. Part of that has been pandemic weariness, isolation and loneliness, and some of it has been physical – my kidney disease has progressed a lot over this year, and that’s taken a toll on my energy levels. Right now the expectation is that we’ll go through the transplant procedure in the next few months, and the kidney that my wonderful wife is donating to me will make a huge difference in our lives. I’m looking forward to having that energy back!

In the meantime, like everyone, we’re riding out the pandemic. I’m halfway vaccinated, I’ll get my second shot in about 10 days. Jeanne gets her shot soon. The theatre is taking this time to do some building renovations, and planning on our eventual reopen while we work on a couple audio projects to share with our audiences. You can see the ones we’ve already done on our website HERE!

And so here we are. It’s hard to believe that a year has passed and our theatre is sitting, empty and waiting. I miss the work, the stories, the audiences, the collaboration with artists. I miss being in a room with a bunch of people and working on a moment together until we HIT IT and everything clicks and the whole room buzzes with the energy of a moment that works – and we take that energy and excitement and try to infuse it into all the other moments of the play, because we know that’s why we’re there – to work together, to share these stories that move people, and make a difference in their world.

I miss that. So much of this past year has been horrible – the loss of life, the economic challenges, and for me personally (especially over the last few months), the feeling of being purposeless. We tell stories to try and make the world a better place, to try and make a difference – however small – in our little part of the universe. There’s nothing like hearing an audience laugh at a bit you hoped would work, or seeing them weeping with emotion at a story you helped shape. After nearly 30 years, I feel like that was my contribution to the world. And at first I took The Big Pause as a time to rest – to process everything going on – but now I’m really ready for that pause to end. I miss the work.

I hope we can get back to it soon.

THANK YOU

Just a quick word to say THANK YOU to everyone.

After my last post about my kidney disease, and being on the transplant list, I got such an amazing response from so many friends, it was a little overwhelming. Thank you for all the kind messages of support and love.

With all of this crazy Covid19 pandemic happening, take care of yourselves everyone. Wash your hands, be safe. Keep yourselves, and the people around you, as healthy as you can!

I’m trying, like most of you, to just get through this chunk of our history the best I can. With my kidney disease and immunodeficiency I have to be a little extra careful, which is frustrating because, frankly, I don’t like to admit that those weaknesses exist. Still, thanks to my wonderful friends and family reminding me that I should take care of myself, I’ve been working on it. I’m super grateful to those folks who care enough to say “Hey, wash your hands and stay home.”

Adding to the stress, of course, is the fact that I help run a theatre that NEEDS people to show up in groups in order to keep us going. Well, that’s always been the theory, anyway. We may be testing that over the next few months. (And we’ll be joined by theatres all over the country testing it, also, so here’s hoping that all our friends in the industry can weather this storm smoothly.) I’m thankful for all the creativity and compassion being offered from so many areas.

Still, even with all of this craziness happening, I’m grateful: I’ve got wonderful friends and family, people offering to be tested for kidney compatibility, a great job with amazing coworkers, AND a nice tax return coming this year! lol

SO – wash your hands, cover your cough, spend a while in self-isolation and enjoy some downtime. This is the perfect time to binge a series or two, read some books, take up yoga, learn a foreign language, or learn to cook beef wellington. (I’ll take two, thank you.)

Take care of yourselves, and stay in touch.

Some great reviews for our big dystopian tale of mothers, sons, war and “othering”!

900 Miles to International Falls has gotten a couple of great reviews!  The production has been a wonderful challenge – it’s unlike most plays I’ve directed before, and it’s fun talking with our Williamston Theatre audiences about this different kind of production.

Set a mere 30 years in the future, in the middle of a huge war, this tale about mothers, sons, war and “othering” is provoking a lot of thought and discussion, which is very fun to see.

IMG_0015.jpg

An excerpt from the Lansing City Pulse review:

It’s a time of war, government propaganda and lies — and when mothers are asked to give up sons to fight never-ending battles. 2054 is when citizens are fighting aliens trying to occupy our lands.

Sound familiar?

Except in this new era, the “aliens” aren’t Mexicans, South Americans, or other foreigners fleeing horrific and unlivable conditions. The future invasion is actual alien beings from a distant, uninhabitable planet. Who look just like us. And care for their babies, just like us. And who really want to be our friends.

The world premiere of Annie Martin’s play is full of parallelisms, surprises, shocks and novel storylines. Getting to International Falls isn’t its real focus. “900 Miles” has flashes of aggression, emotional outbursts and genuine scares. Martin’s script also includes humorous and touching moments.

What helps make her very adult play succeed and come alive are the grand elements of the Williamston production.

IMG_0473.jpg

The Lansing City Pulse really got the show:  Click here if you want to read the full review.

This is a big production for us – a lot of tech elements, a larger cast that many of our shows, a set with lots of moves, and it’s a big epic storyline. I’m really pleased with the way the entire production team, the cast, and the playwright brought their A-Game. IMG_0240.jpg

I like this quote from the City Pulse:  “If the Orwellian and horrific future “900 Miles” portrays isn’t scary enough, the thought that a similar scenario could be less than 30 years away is terrifying.”

IMG_0134.jpgThe other great review, from Encore Michigan (Bridgette Redman), is available by clicking here if you want to read it.  It contains some terrific insight, and a couple of quotes I love, like this one:

900 Miles to International Falls asks questions about what we might do in a war-weary world where it seems impossible to make a difference because the odds against us are so great. What can any one individual do? When is it important to break free from our isolation and reach out to others, whether it is to help them, to let them help us or to learn to trust and care. It is ultimately a beautiful work by Martin interpreted with heart and love by the artists at Williamston Theatre.

The pics above are courtesy of the Williamston Theatre.  I’m grateful to have had the opportunity to bring this thoughtful, unsettling play to the stage, and work with Annie again.  The fun of the world-building in a piece like this was embraced by everyone involved.  I encourage you to check out the play, and also the list of wonderful people who made it all come together! You can learn more about them by checking out the website: Click here!

IMG_0118.jpg

Mid-December round up – keeping the plates spinning….

Still catching my breath after a wonderful trip to Actor’s Express in Atlanta for the NNPN National Showcase of New Plays (followed almost immediately by a trip to Buffalo with family for some much needed family holiday time!)

The NNPN Showcase was terrific.  (NNPN is National New Play Network, in case I haven’t mentioned it in a while.)  We saw 6 readings, some of which I absolutely loved, and I had a ton of good conversations and chats with theatre makers from all over the country.  I love the readings, but sometimes just being immersed in that energy is the perfect thing to recharge my batteries.  It’s energizing to get that reminder that everyone deals with the same challenges and struggles, the highs and lows of this industry – all on a variety of wildly different points on the scale, of course – from companies with a $50,000 annual budget up to ones with many millions of dollars to spend, and raise, every year.  But the wonderful part is the belief and faith in the power of storytelling, and of having an impact on your community, and the pursuit of excellence in the craft – AND allowing for a whole variety of opinions on HOW to make all that happen.  It’s really good stuff.

And then our trip to Buffalo was fabulous.  We continued our decades long family Christmas tradition of holding a big dinner at one of the relatives houses, and that person (or family) cooks a giant dinner for everyone that consists of food from some other country, or culture, from anywhere in the world.  No one knows what it’s going to be until we get there, and it’s a big fun reveal and feast, with lots of lovely family time and board games and presents and laughter.  This year my brother and sister-in-law made an amazing Jamaican dinner that was delicious!  The kids played games, built an igloo in the snow, and generally had a good time.  It was fun to see all the cousins together, the six of them don’t get to visit as often as they used to. The age range goes from middle-school up to college now, and it was terrific to see them having such a good time just enjoying each other’s company.

Now I’m neck deep in prep for 900 Miles to International Falls, by Annie Martin, the show I’m directing next.  We start rehearsals at the end of this month, and I can’t wait.  It’s a big thoughtful, meaningful piece about mothers and sons and war, but it’s also about trust, and compassion.  We get to do a lot of “world building” because it’s set in 2054, when the planet is at war with an alien race who have landed seeking a new home!  I have an amazing production team to work with, and I’m so excited to launch into rehearsals for this world premiere in a couple weeks.  Learn more about the show here!

image.png

Until then, though, our production of A Christmas Carol: The Radio Show is going wonderfully!  It’s essentially completely sold out this weekend, except for the occasional person calling in to cancel one or two from a group, but then those are scooped up by someone calling wanting to see it before it closes.  Aral Gribble is wonderful in it, and the whole production team did some really fantastic work. Check out more info here!

image.pngScreen Shot 2019-12-19 at 2.02.08 PM.png

Now I’m looking forward to the next couple days, when both kids will be back home with Jeanne and I for a couple weeks, and we can all enjoy some holidays relaxing at home with the Christmas tree, the dogs, and some friends and family.

Happy Holidays, everyone!

Tech Day!

The calm before the….. well, I was going to say storm, because that’s the phrase, but that’s not really accurate. A good tech day is nothing like a storm. So really, I guess this is the calm before the…. well orchestrated day full of hard work and creativity that results from months of planning combined with in-the-moment inspiration? Sure, let’s go with that. So here we are, a deliberate air of busy-ness in the building, with 8 different things being tended to by different teams of people, all working together with, or around, each other. All so that when the Stage Manager calls “places, top of show” everything happens the way it’s supposed to happen.

I love Tech Day. When you add in the lights, sound, sometimes projections, later in the weekend costumes, all of the technical elements blend with the cast and you really get your first true look at what the play is going to be. Some people dislike the tech day process but for me, as a director, I love it – it’s like Christmas! You work for months with the design team and look at sketches and images and discuss renderings and 3-d computer walkthroughs and you listen to sound samples and play with fabric swatches and plan each moment….and then on tech day you GET THEM! All these magical little moments! AND you get to work with a team of creative, passionate people who combine ideas and talents and brainstorms and suddenly things from your imagination are there in front of you.

A college professor of mine, George Bird, once said to me about theatre “It’s not magic, Caselli, it’s hard work.” I think about that often, and it inspires me. Because he’s right, of course: But the thing is, all that hard work can give us magic in the end!

pictured above – the set from A Christmas Carol: The Radio Show at Williamston Theatre. Set design by Kirk Domer.

THE SAFE HOUSE

The current show at Williamston Theatre is a lovely, moving piece by Kristine Thatcher and directed by Casaundra Freeman. Reviews have been universally wonderful, and this is one of those shows that SO many people can directly relate to, people are loving it. Charming, funny, heartbreaking and uplifting, it’s a beautiful piece about family, change, and the power of being there for each other. A terrific start to our 14th Season!

Read one of the reviews HERE!

Karen Sheridan and Dani Cochrane

Tobin Hissong, Karen Sheridan and Dani Cochrane

Dani Cochrane and Karen Sheridan

Opening Night production team photo.

Back row: Chris Purchis, scenic designer Gabriella Csapo, assistant stage manager Matt Kowalczyk, set dressing/properties designer Michelle Raymond, apprentice Becca Bedell, stage manager Stef Din, tech director Aaron Delnay, sound designer Sonja Marquis, costume designer Holly Iler, apprentice Ariel Sheets, John Lepard, Emily Sutton-Smith, Tony Caselli. Not pictured: lighting designer Shannon Schweitzer.
Front row: Tobin Hissong, director Casaundra Freeman, playwright Kristine Thatcher, Karen Sheridan, Dani Cochrane.

Ch-Ch-Changes…..

Sat down to update my journal, and realized it’s been two months! Amazing, where did that time go? Well, life got crazy:

*We sold our house in Chelsea and moved to Williamston!
*We have officially become “empty-nesters” with both kids now moved out of the house and into their universities, University of Michigan and Western Michigan University!
*A BIG renovation has been taking place for the last 7 weeks at Williamston Theatre, at the same time that we’re rehearsing and about to go into previews for the beautiful play The Safe House by Kristine Thatcher.

So – life has been busy!  And WONDERFUL.  We’re about to open SEASON FOURTEEN at Williamston Theatre!

The kids:

Max wmu.png

Maggie uofm.png

The building renovation.  We tore out our old Stage Manager tech booth and put in a new one!

How it looks now:

Screen Shot 2019-09-27 at 4.21.26 PM.png

How it looked a few weeks ago:

Screen Shot 2019-09-27 at 4.27.02 PM.png

and a couple weeks before that….

Screen Shot 2019-09-27 at 4.36.09 PM.png

…aaaaaand from the other side….

Screen Shot 2019-09-27 at 4.37.54 PM.png

Also, here’s our new house!

Screen Shot 2019-09-27 at 4.24.42 PM.png

AND here are a few rehearsal shots from the BEAUTIFUL show The Safe House by Kristine Thatcher, directed by the wonderful Casaundra Freeman, and starring Karen Sheridan, Dani Cochrane and Tobin Hissong.

Screen Shot 2019-09-27 at 4.29.03 PM.png

Screen Shot 2019-09-27 at 4.29.31 PM.png

So, the last 8 weeks have been insanely busy, but also pretty darned wonderful.  I’m so grateful for my family, and my work, and the people I get to work with!

I hope everyone else has had a good summer as well – now that Fall is upon us, and my that wonderful Autumnal feeling is in the air, I’m really looking forward to what’s coming up. I hope you all are too!