A big reason to celebrate!

We got word that I AM NOW OFFICIALLY ON THE KIDNEY TRANSPLANT LIST.

This is good news. It means that I’m accruing time on the list, and I am now actively looking for a live donor.

In the next year to two years, my kidneys will fail thanks to kidney disease (acquired from my bout with Bacterial Meningitis 6 years ago). At that point I’ll wind up on dialysis, waiting for a kidney to become available. I’m grateful for the option of dialysis, but it comes with challenges and health risks of its own. So, the sooner I can get a transplant, the better.

The average wait time in Michigan can be 5-7 years for a donated kidney from a deceased donor. However, because of my other health issues left over from that whole incident, my transplant team has said they very strongly recommend a live donor kidney instead.

SO, for these reasons, Jeanne and I are asking for your help in spreading the word. If you’d be willing to share our search for a living donor with your community of family and friends, we’d greatly appreciate it. To learn more, you can go to Explore Transplant and get the information you need.

Finally, if you feel inclined and called to do so, you’re invited to consider becoming a living donor yourself! Thanks to the wonderful Pairing Program, your kidney wouldn’t even have to be a perfect match for me. It could match someone else, and I could get a better matched kidney in return! Of course this is a hugely sensitive and personal issue, and it’s simply not the right choice for many, many people, but if anyone out there thinks it might be something they’d consider, we’d be forever grateful! 🙂

If you’d like more specific info about donating a kidney, I’ll be having mine done at University of Michigan Hospital, and you can see their website about the donation process BY CLICKING HERE. Or, you can call the Living Donor Office at 1-800-333-9013.

And, of course, you can ask me if you have any questions! 🙂
Thanks, everyone, for reading this far and for caring. It means more than we’ll ever be able to express.

EDITED TO ADD: Wow, thanks so much for all the nice responses. For everyone asking, my blood type is A+, so compatible would be blood types A and O. However, with today’s Pairing Donor system, someone doesn’t necessarily have to match my blood type: Their kidney could be donated to someone else on the list, and in return I would get a kidney that best matched me!

Some great reviews for our big dystopian tale of mothers, sons, war and “othering”!

900 Miles to International Falls has gotten a couple of great reviews!  The production has been a wonderful challenge – it’s unlike most plays I’ve directed before, and it’s fun talking with our Williamston Theatre audiences about this different kind of production.

Set a mere 30 years in the future, in the middle of a huge war, this tale about mothers, sons, war and “othering” is provoking a lot of thought and discussion, which is very fun to see.

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An excerpt from the Lansing City Pulse review:

It’s a time of war, government propaganda and lies — and when mothers are asked to give up sons to fight never-ending battles. 2054 is when citizens are fighting aliens trying to occupy our lands.

Sound familiar?

Except in this new era, the “aliens” aren’t Mexicans, South Americans, or other foreigners fleeing horrific and unlivable conditions. The future invasion is actual alien beings from a distant, uninhabitable planet. Who look just like us. And care for their babies, just like us. And who really want to be our friends.

The world premiere of Annie Martin’s play is full of parallelisms, surprises, shocks and novel storylines. Getting to International Falls isn’t its real focus. “900 Miles” has flashes of aggression, emotional outbursts and genuine scares. Martin’s script also includes humorous and touching moments.

What helps make her very adult play succeed and come alive are the grand elements of the Williamston production.

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The Lansing City Pulse really got the show:  Click here if you want to read the full review.

This is a big production for us – a lot of tech elements, a larger cast that many of our shows, a set with lots of moves, and it’s a big epic storyline. I’m really pleased with the way the entire production team, the cast, and the playwright brought their A-Game. IMG_0240.jpg

I like this quote from the City Pulse:  “If the Orwellian and horrific future “900 Miles” portrays isn’t scary enough, the thought that a similar scenario could be less than 30 years away is terrifying.”

IMG_0134.jpgThe other great review, from Encore Michigan (Bridgette Redman), is available by clicking here if you want to read it.  It contains some terrific insight, and a couple of quotes I love, like this one:

900 Miles to International Falls asks questions about what we might do in a war-weary world where it seems impossible to make a difference because the odds against us are so great. What can any one individual do? When is it important to break free from our isolation and reach out to others, whether it is to help them, to let them help us or to learn to trust and care. It is ultimately a beautiful work by Martin interpreted with heart and love by the artists at Williamston Theatre.

The pics above are courtesy of the Williamston Theatre.  I’m grateful to have had the opportunity to bring this thoughtful, unsettling play to the stage, and work with Annie again.  The fun of the world-building in a piece like this was embraced by everyone involved.  I encourage you to check out the play, and also the list of wonderful people who made it all come together! You can learn more about them by checking out the website: Click here!

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A Brave and Startling Truth

Posting because today feels like a day to share some words of wisdom from Maya Angelou.
A Brave and Startling Truth 
by Maya Angelou

We, this people, on a small and lonely planet 
Traveling through casual space 
Past aloof stars, across the way of indifferent suns 
To a destination where all signs tell us 
It is possible and imperative that we learn 
A brave and startling truth 

And when we come to it 
To the day of peacemaking 
When we release our fingers 
From fists of hostility 
And allow the pure air to cool our palms 

When we come to it 
When the curtain falls on the minstrel show of hate 
And faces sooted with scorn are scrubbed clean 
When battlefields and coliseum 
No longer rake our unique and particular sons and daughters 
Up with the bruised and bloody grass 
To lie in identical plots in foreign soil 

When the rapacious storming of the churches 
The screaming racket in the temples have ceased 
When the pennants are waving gaily 
When the banners of the world tremble 
Stoutly in the good, clean breeze 

When we come to it 
When we let the rifles fall from our shoulders 
And children dress their dolls in flags of truce 
When land mines of death have been removed 
And the aged can walk into evenings of peace 
When religious ritual is not perfumed 
By the incense of burning flesh 
And childhood dreams are not kicked awake 
By nightmares of abuse 

When we come to it 
Then we will confess that not the Pyramids 
With their stones set in mysterious perfection 
Nor the Gardens of Babylon 
Hanging as eternal beauty 
In our collective memory 
Not the Grand Canyon 
Kindled into delicious color 
By Western sunsets 

Nor the Danube, flowing its blue soul into Europe 
Not the sacred peak of Mount Fuji 
Stretching to the Rising Sun 
Neither Father Amazon nor Mother Mississippi who, without favor, 
Nurture all creatures in the depths and on the shores 
These are not the only wonders of the world 

When we come to it 
We, this people, on this minuscule and kithless globe 
Who reach daily for the bomb, the blade and the dagger 
Yet who petition in the dark for tokens of peace 
We, this people on this mote of matter 
In whose mouths abide cankerous words 
Which challenge our very existence 
Yet out of those same mouths 
Come songs of such exquisite sweetness 
That the heart falters in its labor 
And the body is quieted into awe 

We, this people, on this small and drifting planet 
Whose hands can strike with such abandon 
That in a twinkling, life is sapped from the living 
Yet those same hands can touch with such healing, irresistible tenderness 
That the haughty neck is happy to bow 
And the proud back is glad to bend 
Out of such chaos, of such contradiction 
We learn that we are neither devils nor divines 

When we come to it 
We, this people, on this wayward, floating body 
Created on this earth, of this earth 
Have the power to fashion for this earth 
A climate where every man and every woman 
Can live freely without sanctimonious piety 
Without crippling fear 

When we come to it 
We must confess that we are the possible 
We are the miraculous, the true wonder of this world 
That is when, and only when 
We come to it.

Grateful for awesomeness…

Something I haven’t talked about a lot online yet: I’m currently going through the evaluation process to get on the kidney transplant list. After years of not needing to be on dialysis, my kidney disease has almost reached the inevitable point of needing dialysis and, hopefully, a kidney transplant. Could be a year, could be two, but the process has begun. More info on that will come later. In preparation for that, I have been undergoing the evaluation process to determine if a transplant is feasible. We should know the results of that in a couple weeks.

This post, though, isn’t about me, it’s about the whole Kidney Transplant team at UofM hospital: they have been fabulous. Every single person I’ve dealt with, as I go through this evaluation process to determine if I can be listed on the transplant list, has been really wonderful. Helpful, patient with my questions, compassionate and personable.

I say this because I think awesomeness deserves to be recognized. This process, which has the potential to be monumentally daunting, is made more understandable and less scary by how good these people are at their jobs and how much care they take with each step. From the giant binder of information (that is SO well prepared), to the many phone calls checking in on me confirming appointments and easing any concerns, I (and I think Jeanne) have been put much more at ease by the reassuring calm and open discussions with the many staff people we’ve talked with.

It’s really energizing – seeing how much they care about getting it right, and helping each person to have every resource, every piece of information they need, and a clear path into and through this complicated and scary thing.

Today I sat through another several hours of tests, and the thing I realized is that everyone that I was working with, again, was operating with an amazing ever-present sense of empathy. How much information did I want? Or how little? Was I comfortable? Was I anxious? Was I clear on what was happening and why? What could they do to help?

As I was realizing this and watching them work, I started thinking about the season at Williamston Theatre (which is BASED around the idea of empathy this year), and how much the practices of empathy and compassion are able to change the world. We can see examples of it all around us, just as we can so clearly see the examples of people behaving without these traits.

So, this is a long way of working through this, and saying THANKS to the amazing transplant team I’ve been working with. We’ll know soon enough if the process bears fruit but, in the meantime, MY world has been made a little better by these people. And I’ve been reminded of how I want to impact the world as well.

Not bad for a cloudy Tuesday morning!

SNOW DAY!

Boy, we had a nice winter storm on Saturday. I mean, it wasn’t anything to write home about, in terms of winter storms – we’ve certainly had bigger, snowier, scarier, but this one was… Nice. (For me, anyway. I apologize to anyone who was inconvenienced by it.)

Since we already had rehearsal off for the day, Jeanne and I decided to just have a relaxing Snow Day, and almost the whole day was in pajamas and on the couch. We watched a little TV, we played Word Chums (it’s like Scrabble, and its on our phones), we did some napping and some reading. I’m nearing the end of The Beautiful Ones, the autobiography that Prince was working on with Dan Piepenbring when he passed away. It’s a moving and insightful look at the artist and his life, but it was barely begun when he passed, and so what Piepenbring was able to do with the book in his attempt to honor Prince’s wishes is lovely.

So, we did those things, I made some fantastic BLT sandwiches, I worked on my script for the show I’m directing (900 Miles to International Falls by Annie Martin), we had fun speaker-phone conversations with both kids and snuggled with the dogs. At one point we were all curled up on the couch. Jeanne was at one end, with FlipFlop (Schnoodle, curled up on her feet). I looked up from my book, took a drink of my coffee (decaf, almond milk), and petted Sneakers (Cockapoo, curled up on my legs). As I stroked her head, she let out one of the longest, most contented sighs I’ve ever heard. I nodded my head and said “I agree, Sneaks. Me too.”

We did wander out of the house in the evening: The Sun Theatre is a 10 minute walk from home into downtown Williamston, and their one screen was showing Won’t You Be My Neighbor, the Tom Hanks movie about Mr. Rogers. It was not at all what I was expecting, and we both enjoyed it a lot.

Snow Day. A little oasis of time. It was wonderful. In the craziness of life – running a theatre, directing a show, wrapping my brain around all the doctor stuff for my kidney transplant evaluation, paying bills and putting out the many metaphorical fires that we all find ourselves dealing with – having that day was a gift. Thanks, Universe, for the chance to catch my breath – and for the reminder that stopping to catch our breath once in a while is really, really important.

I hope you, if you’ve read this far, get a chance to slow down and catch your breath soon. In fact, if I can be bold – I’d encourage you to go ahead and MAKE the time. I think I’ll be doing it more often.

“Simplify, slow down, be kind. And don’t forget to have art in your life – music, paintings, theater, dance, and sunsets.” – Eric Carole

Mid-December round up – keeping the plates spinning….

Still catching my breath after a wonderful trip to Actor’s Express in Atlanta for the NNPN National Showcase of New Plays (followed almost immediately by a trip to Buffalo with family for some much needed family holiday time!)

The NNPN Showcase was terrific.  (NNPN is National New Play Network, in case I haven’t mentioned it in a while.)  We saw 6 readings, some of which I absolutely loved, and I had a ton of good conversations and chats with theatre makers from all over the country.  I love the readings, but sometimes just being immersed in that energy is the perfect thing to recharge my batteries.  It’s energizing to get that reminder that everyone deals with the same challenges and struggles, the highs and lows of this industry – all on a variety of wildly different points on the scale, of course – from companies with a $50,000 annual budget up to ones with many millions of dollars to spend, and raise, every year.  But the wonderful part is the belief and faith in the power of storytelling, and of having an impact on your community, and the pursuit of excellence in the craft – AND allowing for a whole variety of opinions on HOW to make all that happen.  It’s really good stuff.

And then our trip to Buffalo was fabulous.  We continued our decades long family Christmas tradition of holding a big dinner at one of the relatives houses, and that person (or family) cooks a giant dinner for everyone that consists of food from some other country, or culture, from anywhere in the world.  No one knows what it’s going to be until we get there, and it’s a big fun reveal and feast, with lots of lovely family time and board games and presents and laughter.  This year my brother and sister-in-law made an amazing Jamaican dinner that was delicious!  The kids played games, built an igloo in the snow, and generally had a good time.  It was fun to see all the cousins together, the six of them don’t get to visit as often as they used to. The age range goes from middle-school up to college now, and it was terrific to see them having such a good time just enjoying each other’s company.

Now I’m neck deep in prep for 900 Miles to International Falls, by Annie Martin, the show I’m directing next.  We start rehearsals at the end of this month, and I can’t wait.  It’s a big thoughtful, meaningful piece about mothers and sons and war, but it’s also about trust, and compassion.  We get to do a lot of “world building” because it’s set in 2054, when the planet is at war with an alien race who have landed seeking a new home!  I have an amazing production team to work with, and I’m so excited to launch into rehearsals for this world premiere in a couple weeks.  Learn more about the show here!

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Until then, though, our production of A Christmas Carol: The Radio Show is going wonderfully!  It’s essentially completely sold out this weekend, except for the occasional person calling in to cancel one or two from a group, but then those are scooped up by someone calling wanting to see it before it closes.  Aral Gribble is wonderful in it, and the whole production team did some really fantastic work. Check out more info here!

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Now I’m looking forward to the next couple days, when both kids will be back home with Jeanne and I for a couple weeks, and we can all enjoy some holidays relaxing at home with the Christmas tree, the dogs, and some friends and family.

Happy Holidays, everyone!

Thankful

Taking a minute to acknowledge and thank the universe for all the wonderful things in my life.

With Thanksgiving just happening, and then so many wonderful things around it, it’s easy to take for granted the things I have. Sometimes I just need to look around and, to quote Kurt Vonnegut’s Uncle Alex, say out loud “If this isn’t nice, what is?”

It was so great to have the kids back home with Jeanne and I for a couple days. Just talking and hanging out and eating and playing games and watching them play with the dogs. Loved it. Going to sleep that night with everyone in the the house, knowing they were safe and home and happy, it was pretty terrific. And soon we’ll do it again for a few days for Christmas.

Plus we had a wonderful Opening week for A Christmas Carol: The Radio Show at the theatre, which is just lovely and so engaging and such beautiful storytelling, it gets me every single time, and watching packed houses fall in love with it is both inspiring and affirming.

Then we had a fantastic “Giving Tuesday” Play Reading Marathon, where we read a seasons worth of plays onstage in a day, 12 hours of readings, all open to the public, and we had so many people stop by for a play or two, or three, and a big group who stayed all day to see five or six plays! It was amazing, people came and went all day as their schedule allowed, and it felt like such a day of communion and togetherness and magic as we shared and discussed six wildly different pieces. Truly it was a humbling thing. Someone asked “Did you ever imagine this when you started this place 14 years ago?!” and the question AND answer got me all choked up because, no, we hoped but had no idea if it would work. Tuesday was pretty damned great.

And now I’m getting ready for the National New Play Network annual Showcase of New Plays – a weekend of staged readings and chatting about new plays and the challenges, joys and pitfalls of producing them with people from all over the country. This is going to be fun.

So much to be grateful for.

I hope you’re able to look around this weekend and find the same things in your life! ❤️

Tech Day!

The calm before the….. well, I was going to say storm, because that’s the phrase, but that’s not really accurate. A good tech day is nothing like a storm. So really, I guess this is the calm before the…. well orchestrated day full of hard work and creativity that results from months of planning combined with in-the-moment inspiration? Sure, let’s go with that. So here we are, a deliberate air of busy-ness in the building, with 8 different things being tended to by different teams of people, all working together with, or around, each other. All so that when the Stage Manager calls “places, top of show” everything happens the way it’s supposed to happen.

I love Tech Day. When you add in the lights, sound, sometimes projections, later in the weekend costumes, all of the technical elements blend with the cast and you really get your first true look at what the play is going to be. Some people dislike the tech day process but for me, as a director, I love it – it’s like Christmas! You work for months with the design team and look at sketches and images and discuss renderings and 3-d computer walkthroughs and you listen to sound samples and play with fabric swatches and plan each moment….and then on tech day you GET THEM! All these magical little moments! AND you get to work with a team of creative, passionate people who combine ideas and talents and brainstorms and suddenly things from your imagination are there in front of you.

A college professor of mine, George Bird, once said to me about theatre “It’s not magic, Caselli, it’s hard work.” I think about that often, and it inspires me. Because he’s right, of course: But the thing is, all that hard work can give us magic in the end!

pictured above – the set from A Christmas Carol: The Radio Show at Williamston Theatre. Set design by Kirk Domer.

THE SAFE HOUSE

The current show at Williamston Theatre is a lovely, moving piece by Kristine Thatcher and directed by Casaundra Freeman. Reviews have been universally wonderful, and this is one of those shows that SO many people can directly relate to, people are loving it. Charming, funny, heartbreaking and uplifting, it’s a beautiful piece about family, change, and the power of being there for each other. A terrific start to our 14th Season!

Read one of the reviews HERE!

Karen Sheridan and Dani Cochrane

Tobin Hissong, Karen Sheridan and Dani Cochrane

Dani Cochrane and Karen Sheridan

Opening Night production team photo.

Back row: Chris Purchis, scenic designer Gabriella Csapo, assistant stage manager Matt Kowalczyk, set dressing/properties designer Michelle Raymond, apprentice Becca Bedell, stage manager Stef Din, tech director Aaron Delnay, sound designer Sonja Marquis, costume designer Holly Iler, apprentice Ariel Sheets, John Lepard, Emily Sutton-Smith, Tony Caselli. Not pictured: lighting designer Shannon Schweitzer.
Front row: Tobin Hissong, director Casaundra Freeman, playwright Kristine Thatcher, Karen Sheridan, Dani Cochrane.